Marios Panteliadis’ repertoire ranges from baroque to contemporary music, including major composers from 18th till 20th century as well as remarkable compositions of our days. Particularly, major Greek composers are often included in his solo recital programmes.
Solo piano proposals for 2024/2025
A) “Fragmentary dreams”
G. Rossini: Quelques Riens pour Album (No. 1, 4, 10, 12, 21, 6)
F. Schubert – F. Liszt: “Auf dem wasser zu singen”, “Gretchen am Spinnrade”
M. Hatzidakis: Ionian Suite for piano
M. Theodorakis: Sonatine for piano
R. Schumann: Carnaval Op.9
“Fragmentary Dreams” features a collection of small, yet profound and evocative works that each glimpse into distinct emotional landscapes; much like fragments of dreams leaving traces of inspiration in their wake.
G. Rossini’s “Quelques Riens pour Album” from the “Sins of an old age” opens our journey with a selection of charming miniatures (Nos. 1, 4, 10, 12, 21, and 6). Each piece is a delightful picture that captures fleeting moments of joy and playfulness, but at times also of contemplation and intimacy, setting the stage for the musical narratives to follow. Rossini’s wit and elegance shine through, providing a perfect introduction to the themes of spontaneity and reminiscence.
The programme then takes a darker turn, transitioning into the lyrical realms of F. Schubert, where we encounter two of his famous Lieder: “Auf dem Wasser zu singen” paired with “Gretchen am Spinnrade” on Liszt’s version for piano solo. These works embody the fragility of dreams—a poignant balance of longing and desire, underscored by rich harmonic textures and flowing melodies that resonate with the listener’s own introspections.
As we delve deeper into the programme, we are reminded that the year 2025 marks the centennial celebration of the births of two remarkable composers, Manos Hatzidakis and Mikis Theodorakis. Hatzidakis’s “Ionian Suite for piano”, a collection of original pieces often recalling Greek tradition, transports us to the landscapes and cultural echoes of Greece. Each movement is a vibrant snapshot of life that invites us into rhythmic nuances and lyrical motifs. Similarly, M. Theodorakis’ Piano Sonatine, actually dedicated to Hatzidakis, reflects Theodorakis’ virtuosity with the techniques and aesthetics of contemporary music of his time. Composed in 1955, it includes references from Cretan musical tradition and has moments of vivacity, spirit and explosion but also moments of contemplation and serenity.
The recital culminates in R. Schumann’s “Carnaval Op.9”, a masterpiece of German romanticism, a sweeping tapestry of masked identities and vivid characters, a “dream sequence” where the pianist conjures up a kaleidoscope of figures and moods. The music is full of humor, irony, and wit, with moments of intimacy and tenderness as well as extroversion and pathos.
B) "Narration and folklore"
J. C. Bach: Sonata Op.17, No.2 in C minor
L. v. Beethoven: Bagatelles Op.126
F. Liszt: Ballade No.2, S.171
Y. Constantinidis: From 22 Songs and dances from Dodecanese (No.1, 13, 4-5, 9, 8, 10-11)
M. Balakirev: Islamei (Fantaisie orientale)
“Narration and folklore” intertwines the emotional depth of Western classical music with elements from enchanting traditions of the East, creating a rich tapestry of sound.
We begin with Johann Christian Bach’s Sonata Op. 17, No. 2 in C minor, a piece composed by one of J.S. Bach’s son that embodies the transition from the Baroque to the Classical era. Its dramatic contrasts and lyrical themes provide a powerful start for the musical journey, as the programme unfolds with both tension and grace.
Following this, we delve into L. v. Beethoven’s Bagatelles Op. 126. These charming yet mature and introspective pieces, with their succinct forms and rich emotional content, invite us to explore the subtleties of human sentiment. Each bagatelle serves as a reflective moment, capturing the essence of fleeting emotions—a hallmark of Beethoven’s profound and artistic vision.
As we transition into the Romantic era, F. Liszt’s Ballade No. 2, S. 171 transports us into a world of passionate intensity and lyrical beauty. Inspired by the Greek myth of Hero and Leander, the music “narrates” Leander’s swim across a straight so as to be with the priestess Hero several nights in a row with increasing storminess in the sea, ending with poor Leander drowning. This piece, characterized by a narrative depth, weaves together moments of turmoil and serenity, allowing the expression of a wide range of feelings and colours.
Next, we journey to the enchanting sounds of the Dodecanese Islands with Y. Constantinidis’s “From 22 Songs and Dances from Dodecanese.” Through selected pieces (No. 1, 13, 4-5, 9, 8, 10-11), we encounter the vibrant musical heritage of Greek folk traditions. These selections highlight the interconnection between culture and emotion, inviting the listener to experience the joy, nostalgia, and richness of the Mediterranean soundscape.
Finally, we arrive at M. Balakirev’s “Islamei (Fantaisie orientale),” a stunning showcase of Eastern influences and technical prowess. This work distills the essence of Orientalism through its intricate melodies and rhythmic complexity, leading us into a world of exotic beauty and emotional depth.
“Narration and folklore” promises to resonate deeply within each listener, as we explore the interconnected themes of love, longing, joy, and reflection.
C) "Faith through music" (30-minute programme)
The Devine and religion is the central theme of the programme, presenting well-known works by J.S. Bach, F. Schubert and F. Liszt.
Our recital opens with two chorales by the great Baroque composer J.S. Bach. The masterpiece “Jesus bleibet meine Freude” (“Jesus remains my joy”) drawn from his Cantata BWV 147 embodies the joy and hope of faith, offering peace of mind. The next one “Ich ruf zu dir, Herr Jesu Christ” (“I appeal to you, Lord Jesus Christ”) BWV 639, a Chorale from his collection of Organ pieces called “Orgelbüchlein” (Little Organ Book), expresses absolute devotion and the search for spiritual guidance. Its deep emotional dimension will lead us into a state of reflection.
The recital proceeds with two famous songs by F. Schubert on a transcription by F. Liszt: “Ave Maria” which offers a delicate and devotional atmosphere combined with “Gretchen am Spinnrade” (“Gretchen on the spinning wheel”) which captures the yearning and almost religious dimension of love and expectation.
The programme continues with F. Liszt’s “Ballade No.2” a powerful narrative, an authentic expression of romanticism. Although not overtly religious, this piece echoes the inner conflicts that often accompany the spiritual journey of man: the struggle, the triumph and the ultimate quest for redemption. Liszt’s lyrical but stormy writing reflects the emotional ups and downs that accompany faith and the search for truth.
Liszt’s stunning Légend No.2 then brings us back to a purely religious dimension: ‘St François de Paule: Marchant sur les flots’ (‘St François de Paule: Marchant sur les flots’). The composer depicts the serene strength of St. François de Paule as he walks on the waves, a powerful metaphor for rock-solid faith in the midst of life’s storms, not only a music journey but also way of spiritual resilience against all kinds of adversity.
Mythos Trio proposals for 2024/2025
A) "Reflections of war and hope"
F. Margola: Trio No.2 per violino, violoncello e pianoforte
M. Theodorakis: Trio per violino, violoncello e pianoforte
D. Shostakovich: Trio No.2, Op.67 per violino, violoncello e pianoforte in mi minore
B) "Echoes of innovation: a 20th century piano Trio journey"
D. Shostakovich: Piano Trio No.1, Op.8 per violino, violoncello e pianoforte
G. F. Ghedini: 2 Intermezzi per violino, violoncello e pianoforte
M. Ravel: Piano Trio Op.67, in la minore per pianoforte, violino e violoncello
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Piano concertos/concerto pieces for piano and orchestra:
“Kammerkonzert” K.V. 413 in F major
Concerto K.V. 488 in A major
Concerto K.V. 595 in B-flat major
Concerto No.1, Op.15 in C major
Concerto No.3, Op.37 in C minor
Concerto No.5 (“Emperor”), Op.73 in E-flat major
Concerto No.1 Op.11 in E minor
Andante spianato and Grande Polonaise brillante Op. 22
Fantasy on themes from the Ruins of Athens by Beethoven, S.122
Concerto Op.16 in A minor
Concerto No.1 Op.23 in B-flat minor
Concerto No.1, Op.15
Rhapsody on a theme by Paganini Op.43
Concerto in G for piano and orchestra
Concertino for piano and orchestra in C major
Adagio und rondo for piano and string orchestra (originally for string quartet)
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